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Ombretta Agro' Andruff

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C(h)oral Stories and Collective Actions, on view until May 15, 2022

March 31, 2022

C(h)oral Stories and Collective Actions

Curated by Ombretta Agró Andruff with Meaghan Kent

Participating Artists: AMLgMATD, Beatriz Chachamovits, Caecilia Tripp and Kerwin Rolland, Elaine Defibaugh, Lauren Shapiro, and Morel Doucet

Exhibition Dates: March 19-May 15, 2022 Location: Art & Culture Center, Hollywood, 1650 Harrison street, Hollywood, FL

Opening Reception: March 19, 5-8pm

Coral reefs are the most diverse of all marine ecosystems. Teeming with life, up to 25% of all ocean species depend on coral reefs for food and shelter. Often called the rainforests of the sea, coral reefs are among the most at risk from climate change and man-made pollution.

Inspired by the powerful beauty and fragility of corals, six artists will present their unique and diverse bodies of work to recognize the urgency of preservation. The artists, joining as a “chorus” of creative voices, seek to encourage awareness and action to try and preserve and sustain this very special, and very necessary ecosystem. The exhibition will be accompanied by hands-on workshops and educational programming.

The exhibition is curated by Ombretta Agró Andruff with Meaghan Kent. Italian-born and Miami-based Agró Andruff is a freelance curator and environmental activist. She has curated internationally for more than 20 years, most recently at Atchugarry Foundation in Miami. Her passion for the Florida waterways inspired ARTSail, a nomadic residency and research initiative that investigates creative climate change inquiries. Agró Andruff is on the board of IKT International Association of Curators of Contemporary Art, and organized its first US-based Congress in 2019 in Miami, with a post-Congress in Havana, Cuba. 

This exhibition is funded in part by Funding Arts Broward (FAB!) and ARTSail. Special thanks to Jane Wesman and Donald Savelson for their support.

← Pa-Hay-Okee: Land of 'Grassy Waters' opens at ArtServe on April 14, 2022Read my Op Ed published by the Miami Herald on November 1, 2021 →

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